By Colleen Hoover
Published August 5th, 2014
New Adult | Contemporary Romance
About the book:
When Tate Collins meets airline pilot Miles Archer, she doesn’t think it’s love at first sight. They wouldn’t even go so far as to consider themselves friends. The only thing Tate and Miles have in common is an undeniable mutual attraction. Once their desires are out in the open, they realize they have the perfect set-up. He doesn’t want love, she doesn’t have time for love, so that just leaves the sex. Their arrangement could be surprisingly seamless, as long as Tate can stick to the only two rules Miles has for her.
Never ask about the past.
Don’t expect a future.
They think they can handle it, but realize almost immediately they can’t handle it at all.
Hearts get infiltrated.
Promises get broken.
Rules get shattered.
Love gets ugly.
Full disclosure: I’m already a pretty big fan of Colleen Hoover’s writing style. Her characters are quirky and completely authentic human beings. They make mistakes and live on emotions. Her stories are well developed and engaging.
Gotta say, Ms. Hoover nailed it again with Ugly Love! I loved Ms. Hoover’s characters in Hopeless & Losing Hope but this one had a story that kept calling to me all stinkin’ day. “Read me.” “Read me.” Well, okay, if I must. I read until I finished it at 1:30am. Why?
Because of a girl named Tate.
Tate has just driven up to San Francisco from Southern California to move in with her brother while she works as a nurse and completes her master’s degree. Having done the drive myself many times, it’s not an easy drive (can you say L.A. traffic on the 405?) Exhausted, hungry, and ready to pass out, Tate winds up at her brother’s apartment door to find a guy sleeping in front of the door. Passed out. Blocking her entry into the apartment. After a series of comical errors and one hand injury, Tate is dragging her new neighbor onto the couch to sleep off his hangover.
What ensues the next morning sets up Tate’s personality for the rest of the book perfectly. Tate wakes up the next morning to the angry neighbor staring at her from her doorway demanding to know what happened to his hand.
[quote]I roll over, still not quite finished with sleeping, even though he thinks I owe him some sort of explanation. I pull the covers over my head. “Lock the front door on your way out,” I say, hoping he’ll take the hint…[/quote]
Ms. Hoover did a fantastic job illustrating the changes in Tate from the beginning of the story to the end. I felt the metaphors she used to depict what Tate felt towards a certain neighbor… Miles.
Miles has issues. Understatement of the year. When Miles was 18, he went through a horrifying experience that I wish on no one in this world. At the beginning of the book, we know something happened, we just don’t know what. But through Miles’ own words from flashback chapters, we learn everything. This is NOT for the squeamish. It is a tough subject – I won’t lie!!
I don’t know if it was because I’m a fan of Ms. Hoover’s and I’m familiar with her writing or if it was strictly her talent as a writer but I could just imagine Miles’ point of view as I read through the chapters that were actually written from Tate’s point of view. Miles was a character that I got more from what he didn’t say… and so did Tate, ironically.
From a unique typesetting convention used to convey emotion to amazing scenes between characters that grip your soul and rip it to shreds, this book will be on my end of the year list of favorite books. When you want to read a book so fast because you know the next words, the next sentence are going to be awesome, but you don’t want to miss one word in between… you know that’s a good book.
About the Author:
Colleen Hoover is the New York Times bestselling author of Slammed, Point of Retreat, Hopeless, and This Girl and Losing Hope. Colleen lives in Texas with her husband and their three boys.